Social and religious tension, surface and electrical tension, muscular and sexual tension, aesthetic and creative tension: these are but some examples for the many uses and contexts of the term ‘tension/Spannung’. They indicate the ambiguity and internal tension of this deceptively simple term. Tension usually refers to a static but unstable state. It arguably provides the condition, energy, and direction for dynamic transformations, but the process dissipating tension can be productive as well as destructive. States of tension are thus undecided in multiple ways, but they do not leave us indifferent. On the contrary, the indecision in tension promises us the possibility – and often therefore also duty – to intervene. At the same time, tension commonly demands attention on account of its aesthetic qualities. Tension thus unfolds or elicits a pragmatic, even ethical, as well as aesthetic response that can easily appear self-evident in any particular context: tension is something to be avoided and reduced (politics), to be worked through and resolved (therapy, science), to be endured and sustained (modern art, much postmodern theory), or to be sought after and enjoyed (criticism, media).

The ICI’s inaugural core project sought to explore the critical role of tension within and between different cultures. Taking ‘culture’ in a deliberately broad sense, the institute supported fellows from different cultures who linked their individual projects to the topic of Tension/Spannung. They were asked to articulate the role and conception of tension within their projects and to engage in a common, comparative project among fellows at the institute. While an extensive and systematic classification of the manifold notions and uses of ‘tension’ would privilege a particular mode of resolving tensions, the aim of the core project was to see how far one can go in thinking different conceptions together, asking, for instance, what happens if one uses physical or aesthetic models for political tensions or for the tensions between science and the humanities.

The ICI is conceived as a place for such negotiations, bringing together different approaches so that they may cross-fertilise each other. This implies fostering also intellectual confrontations, placing tension at the centre of the institute’s praxis regardless of the specific thematic focus. The inaugural core project thus reflected upon the institute’s mission in an experimental manner by way of examples provided both by the individual projects focusing on tension as a theme and by the confrontation of their underlying attitudes towards tension. It thereby sought to test the institute’s premise that tensions have a productive potential and to address the problem of how one can achieve an intercultural engagement that includes also those cultures favouring alternative modes of tension. Here, the institute’s working hypothesis is that cultures are built upon tensions that not only stem from confrontations with other cultures, but also constitute an internal driving force; and that such internal tensions constitute a (formal) common ground between cultures that may be better suited for constructive dialogue and negotiation than any positively defined common denominator.

The project was pursued in several ways. On the one hand, the ICI Berlin announced fellowships for emerging individuals and selected fellows who contributed to the core project through their individual projects. Weekly colloquia and internal workshops elaborated upon the core project’s conceptual framework, enhancing the cross-fertilization among the fellows’ projects and working towards a common publication (the first collected volume developed in this way appeared in 2010). On the other hand, ICI Berlin pursued its core project  through a variety of public events – lectures, performances, workshops, symposia etc. – hosted at the Institute and ideally organized in collaboration with other institutions and partners.

The core project Tension/Spannung began in October 2007 and continued to be pursued with varying yearly foci from 2010 to July 2014.



Participating Fellows


Kinga Araya
Performing Exile


Sabine Arnaud
Narratives and Politics of a Diagnosis:
The Construction and Circulation of the Category of Hysteria
in France and England 1730-1820


Bruno Besana
Versus Laboratory - Dissensual Relations Are Points of Thought /
The Sensible Excess – An Inquiry on Aesthetic Ontology


Annette Bitsch
A Media History of Migraine


Fabio A. Camilletti
The Visual Uncanny.
Stendhal Syndrome as a Tension


Silvia Casalino
Mercury 13 -
Woman in space program


Kyung-Ho Cha
différance tonique. Spannung/ Tonus als paradoxale Konvergenz bei Walter Benjamin


Mimma Congedo
The Concept of Imagination between India and Europe:
Comparing the Yoginī-hṛdaya and Giordano Bruno's Works


Siouxzi L. Connor
The Dangers


Chiara De Cesari
Heritage Beyond the Nation-State:
Palestine and the Politics of Culture


Catharine Diehl
'Differentials of Consciousness':
Sensory Tensions from Leibniz to Ernst Bloch


Gabriele Dietze
Critical Occidentalism


Martin Doll
Medien der Gemeinschaft


Antke Engel
Queer/ing Neoliberalism?
Images of Sexuality and Economy


Amy Evans
Mining Tension, Forging Emotional Truth:
Performing the Legacy of Oury Jalloh


Giovanni Frazzetto
Life and the Brain:
What neuroscience can and cannot tell us about living


Arnika Fuhrmann
Tropical Malady: History, Minoritization,
and the Thai Feminist and Queer Avantgarde


Rupert Gaderer
The Science of Electricity:
Cultures of Tension in Natural Science, Philosophy, and Literature, 1744-1826


Grada Kilomba
KALUNGA -
The African Triangle


Alana Lentin
The Crises of
Multiculture?


Lissette T. Olivares
Decolonial Errans


Ozren Pupovac
Versus Laboratory:
Dissensual Relations are Points of Thought/Politics and Thought


James Adam Redfield
'Ich komme groß raus': Muslim Youth and Hip Hop in the ‘Global Ghetto’


Laura Taler
Uniglory


Jean Terrier
By Some Strange Resistance in Itself.
Cultural Diversity and the Contemporary Nation-State


Andrea von Kameke
Zwischen Schein und Spiel -
Busby Berkeleys bewegte Bilder (Working Title)


Tobaron Waxman
Mechitza 7.1


Michaela Wünsch
Science and Psychoanalysis:
Entropy from Freud to Lacan