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Cover Cambrer

Camérer. A propos d’images

ed. Sandra Alvarez de Toledo, Anaïs Masson, Marlon Miguel, Marina Vidal-Naquet

L’Arachnéen, 2021
ISBN : 978-2-37367-017-2

Le mot ‘camérer’ apparaît sous sa plume en 1977, comme une alternative à ‘filmer’. Sous sa forme infinitive, il privilégie la primauté du processus sur la visée de l’objet-film (camérer / camerrer).
Cover Touch of Doubt

A Touch of Doubt

On Haptic Scepticism
ed. by Rachel Aumiller

De Gruyter 2021

Open Access
What can we know about ourselves and the world through the sense of touch and what are the epistemic limits of touch? Scepticism claims that there is always something that slips through the epistemologist's grasp.
Cover Marsh Ruins

Beverly Buchanan

Marsh Ruins
Amelia Groom

Afterall Books and The MIT Press (February 2021)

Beverly Buchanan's Marsh Ruins (1981) are large, solid mounds of cement and shell-based tabby concrete, yet their presence has always been elusive.
Cover Double Trouble

Double Trouble in Exhibiting the Contemporary

Art Fairs and Shows
ed. by Cristina Baldacci, Clarissa Ricci, and Angela Vettese

Scalpendi editore (July 2020)

The strange brotherhood between art fairs and biennials, and other recurrent or mega exhibitions, continues to arose criticism but little attention in academic literature, despite the importance of such exhibition formats in the life cycle of art, artists, and anyone entering the art world.
Cover Same Old by Ben Nichols

Same Old

Queer theory, literature and the politics of sameness
Ben Nichols

Manchester University Press (July 2020)

Same old offers a rethinking of positions that have defined queer theory since its inception in the early 1990s. Steeped in philosophical and political commitments to 'difference', queer theoretical frameworks have tended to assume that ideas related to 'sameness' only thwart and stymie queer forms of life.
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Recent Publications
Cultural Inquiry (CI)
Fellow Publications
Further Volumes
All Publications