Cover Building a Voice
How do we build or make a voice together? Can we imagine the voices we make in the form of a skin, a multi-sensory interface that behaves both as a boundary and as a point of connection? What does such a voice capacitate in times of crises and uncertainties?
Cover Body of Water
Your Body of Water is an interweaving of autofiction with hydro-feminist mythologies, exploring via the emotional landscapes of four rivers and four "tragic feminine characters" (Ophelia, Leda, the Lady of Shalott and Sappho) the author's own real life journey,...
Cover Flamboyant
This book posits formal experimentation as an index for evolving expressions of male homosexuality from literary modernism to the German New Wave and the present day. Ian Fleishman exposes a tradition of flamingly failed passing that is itself a surreptitious mode of passing.
Cover Hand That Touch This Fortune Will
Mapping the hand as cosmos as clinic as history as biography, hand reading is a technique suspended between medical and mystical judgement, empirical diagnosis and speculative divination. This book weaves the lives and work of the ‘reader’ and the ‘read’ together in an intricate fabric.
Cover Burnout
In the struggle for a better world, setbacks are inevitable. Defeat can feel overwhelming at times, but it has to be endured. How then do the people on the front line keep going?
Cover Never Was
Daniel sits on a clifftop in the aftermath of a party at Fin's mansion, looking out over a junky sea. Daniel's not sure why they're there, or who Fin is, even though Fin seems to be somebody famous.
Publication Camering
Fernand Deligny, ‘a poet and ethologist’, is mostly known for his work with autistic children, and his influence on the revolutions in French post-war psychiatry. Though neither director, scriptwriter, historian of cinema nor a theorist of the image, cinema is constantly called into his social, pedagogical, and clinical experimentations.
'Denkraum der Besonnenheit’ names the constellations of methods, concept, forms of expression, and personal challenges that distinguish Aby Warburg’s research. It is the space of thinking and for thinking, a condition and a process — its method constantly threatened with the destruction of its confines.
The Science of Character makes a bold new claim for the power of the literary by showing how Victorian novelists used fiction to theorize how character forms.