Does anyone do ‘lesbian and gay studies’? The formulation likely sounds quaint when gender and sexuality studies now aims its sights at so much more than what these identities designate. Just as feminist, queer and trans theory hotly debated the political and philosophical shortcomings of ‘identity’ in the 1980s and 90s, the 2000s and 2010s have given us the frameworks of homonormativity, homonationalism and queer liberalism to articulate how lesbian and gay identities in particular can become acute vectors of a racist modern governmentality. Across a range of politically-engaged scholarship, non-identitarian positions continue to seem like the most sophisticated ones.

Yet, in other ways, identity still looms large across our lives, outside and inside the academy. Social and political emergencies continue to make the work of identity-based movements urgent and necessary. Scholarly controversies often circle back to identity: in ‘Trans* Studies Now’, a recent issue of TSQ (Transgender Studies Quarterly), a special forum responds to the argument that, of all things that could have been decentred in trans studies, it has, curiously, been transsexual identity. The Black Scholar has oriented a recent issue around the question ‘What was Black Studies’?, not to signal its end, but its vitality. Outside of the interpretive humanities, ‘lesbian’ and ‘gay’ read differently and ground work in disciplines such as history and sociology. Recent events beyond the Anglophone world—for example, in Poland and Hungary—show that these identities have not lost the political urgency that they may seem to have done in other contexts.

So what happened to ‘lesbian and gay studies’? In what ways does such a formulation seem retrograde, if it does? What would the field have looked like without the strong impulse to self-deconstruction on which it was founded? How does this impulse relate (or not) to the structure of other identity knowledge domains? If ‘lesbian’ and ‘gay’ do not seem like the most urgent or necessary political identifications now, then what else could they be for? This symposium will gather scholars from across the academic and activist trajectory of lesbian and gay studies to ask these questions and more.

In English

17:00 – 17:15 Introduction by Ben Nichols

17:15 – 18:45 Panel I

Rachel Corbman:
Identifying Lesbian and Gay After Queer Studies

Darius Bost:
‘Interanimating Temporalities: Before and After the Millennium’

Chair: Sam Dolbear

18:45 – 19:15 Break

19:15 – 20:45 Roundtable
GLQ: A Journal of Lesbian and Gay Studies: Past and Present

With: Jennifer DeVere Brody (Chair), Celine Parreñas Shimizu, Chandan Reddy, Ann Cvetkovich, Carolyn Dinshaw, and David Halperin

20:45 – 21:45 Break

21:45 – 23:15 Panel 2

Amber Jamilla Musser:
When Black Queerness meets the Black Lesbian

Kadji Amin:
Transsexuality and the Queer Aversion to Identity

Chair: Rachel Aumiller

10:00 – 10:05 Introduction by Ben Nichols

10:05 – 11:30 Panel 3

Guy Davidson:
Assertion/Aversion

Hongwei Bao:
A Non-Event: the Short-Lived Gay and Lesbian Studies in China

Chair: Ben Nichols

11:30-12:00 Break

12:00 – 14:00 Panel 4

Antke Engel:
Lesbian? – It’s a Verb

Heather Love:
The Trouble with Homo: Norms, Deviance, and Identity’s Long March

Peter Rehberg:
Should ‘Schwules Museum‘ in Berlin be renamed as ‘Queeres Museum‘?

Chair: Alison Sperling

14:00 – 15:00 Wrap-up

Organized by

Ben Nichols

With
Kadji Amin
Hongwei Bao
Darius Bost
Ann Cvetkovich
Jennifer DeVere Brody
Rachel Corbman
Guy Davidson
Carolyn Dinshaw
Antke Engel
David Halperin
Heather Love
Amber Jamilla Musser
Chandan Reddy
Peter Rehberg
Celine Parreñas Shimizu
How to Attend
  • Video-meeting with the possibility of audiovisual participation (please register with the form below).
  • Public livestream on this page with the possibility to ask questions via chat (no registration required).

The audience is presumed to consent to a possible recording on the part of the ICI Berlin.
If you would like to attend the event yet might require assistance, please contact Event Management.

Image credit © Claudia Peppel