After almost seven centuries, Dante endures and even seems to haunt the present. Metamorphosing Dante explores what so many authors, artists and thinkers from varied backgrounds have found in Dante’s oeuvre, and the ways in which they have engaged with it through rewritings, dialogues, and transpositions. By establishing trans-disciplinary routes, the volume shows that, along with a corpus of multiple linguistic and narrative structures, characters, and stories, Dante has provided a field of tensions in which to mirror and investigate one’s own time. Authors explored include S. Beckett, W. Benjamin, A. Gide, D. Jarman, L. Jones/A. Baraka, J. Joyce, W. Koeppen, J. Lacan, Th. Mann, J. Merrill, E. Montale, P.P. Pasolini, G. Pressburger, R. Rauschenberg, Ch. Wright, V. Woolf.
Manuele Gragnolati teaches Dante Studies at the University of Oxford, where he is Fellow of Somerville College. Fabio Camilletti is Assistant Professor of Italian Literature at the University of Warwick. Fabian Lampart is Privatdozent in German Literature at the University of Freiburg.
ISBN 978-3-85132-617-8 | Paperback | 40 EUR
414 pp. | 24 cm x 16 cm
Cultural Inquiry, 2
ISSN (Print): 2627-728X
ISSN (Online): 2627-731X
Table of Contents
I. Canonizations
- Dante’s ‘Strangeness’: The Commedia and the late Twentieth-Century Debate on the Literary Canon
- Irish Dante: Yeats, Joyce, Beckett
- Dante as a Gay Poet
II. Eschatologies
- Dante’s Inferno and Walter Benjamin’s Cities: Considerations of Place, Experience, and Media
- ‘Il mal seme d’Adamo’: Dante’s Inferno and the Problem of the Literary Representation of Evil in Thomas Mann’s Doktor Faustus and Wolfgang Koeppen’s Der Tod in Rom
- ‘Una modesta Divina Commedià’: Dante as Anti-Model in Cesare Pavese’s La luna e i falò
- Reclaiming Paradiso: Dante in the Poetry of James Merrill and Charles Wright
- ‘Perché mi vinse il lume d’esta stella’: Giovanni Giudici’s Rewriting of Dante’s Paradiso for the Theatre
- ‘Per-tras-versioni’ dantesche: Post-Paradisiacal Constellations in the Poetry of Vittorio Sereni and Andrea Zanzotto
III. Subjectivities
- Human Desire, Deadly Love: The Vita Nova in Gide, Delay, Lacan
- Wives and Lovers in Dante and Eugenio Montale
- Man with Snake: Dante in Derek Jarman’s Edward II
- Rewriting Dante after Freud and the Shoah: Giorgio Pressburger’s Nel regno oscuro
IV. Trans-lations
- ‘Misi me per l’alto mare aperto’: Personality and Impersonality in Virginia Woolf’s Reading of Dante’s Allegorical Language
- ‘Hell on a Paying Basis’: Morality, the Market, and the Movies in Harry Lachman’s Dante’s Inferno (1935)
- From Giorgio Agamben’s Italian Category of ‘Comedy’ to ‘Profanation’ as the Political Task of Modernity: Ingravallo’s Soaring Descent, or Dante according to Carlo Emilio Gadda
- Literary Heresy: The Dantesque Metamorphosis of LeRoi Jones into Amiri Baraka
- Transferring Dante: Robert Rauschenberg’s Thirty-Four Illustrations for the Inferno
- ‘Anzichè allargare, dilaterai!’: Allegory and Mimesis from Dante’s Comedy to Pier Paolo Pasolini’s La Divina Mimesis
- A Cardboard Dante: Hell’s Metropolis Revisited