Vita

Jakob Schillinger holds a Ph.D. in art history and in interdisciplinary humanities from Princeton University, where he specialized in modern and contemporary art. His research focuses on the media-technological and social conditions of art and visual culture and on their connection to gender. He is currently working on a book manuscript titled ‘Painting Machines’, which takes a media- and systems-theoretical perspective on post-conceptual painting in 1980s and early 1990s Cologne, inquiring how artistic processes affected and connected the artists’ bodies that functioned as their media, and how these processes constructed social milieus.

Before joining the ICI Berlin, Jakob Schillinger was a Lecturer and Postgraduate Research Associate at the Department of Art & Archaeology at Princeton University. Previous positions include Dean of the School for Worldly Companions atdOCUMENTA (13), curator of the Goethe-Institut’s exhibition space Ludlow 38 in New York, co-curator of the survey exhibition Based in Berlin, and Helena Rubinstein Curatorial Fellow at the Whitney Museum of American Art.

Selected Publications

Books / Edited Volumes

  • Peter Wächtler, Jolly Rogers, co-ed. with Daniel Baumann, John Kelsey, Steinar Sekkingstad, and Axel Wieder, (Berlin: Sternberg Press, 2019)
  • The Sixth Year, Written by Jay Chung & Q Takeki Maeda, Directed by Rick Alverson, Dustin Guy Defa, Loretta Fahrenholz, Nick Mauss, and Ken Okiishi, Alex Ross Perry. DVD incl. 24-page Booklet, (Berlin: Sternberg Press, 2014)
  • Peter Wächtler, Come on, co-ed. with John Kelsey, (Berlin: Sternberg Press, 2014)
  • Based in Berlin (exhibition catalogue), co-ed. with Angelique Campens, Fredi Fischli, Magdalena Magiera, and Scott Weaver, (Köln: Verlag der Buchhandlung Walther König, 2011)
  • Time Out of Joint. Recall and Evocation in Recent Art, co-ed. with Luigi Fassi and Lucy Gallun, (New Haven: Yale UP, 2010)

Articles

  • Selected writings by Oswald Wiener, October, 170 (Fall 2019), pp. 31-94
  • Misuse of Military Equipment. New Order: Art and Technology in the Twenty-first Century at MoMA’, in
    Texte zur Kunst, (July 2019)
  • ‘Dienstleistungsgesellschaft’, in Martin Kippenberger: Bitteschön Dankeschön, ed. by Susanne Kleine (Köln: Snoeck; Bonn: Bundeskunsthalle, 2019), pp. 26-79 (English translation: ‘Service Economy’, pp. 26-79)
  • ‘Meshes of the Platform Age. Loretta Fahrenholz at mumok’, in Texte zur Kunst, 112 (December 2018), pp. 196-200
  • ‘Vorsprung durch Reinkarnation’, in Martin Kippenberger: Hand Painted Pictures (New York: Skarstedt, 2017), pp. 8-27

Publications

Books / Edited Volumes

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Articles

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