Vita
Louisa Elderton is the Managing Editor for ICI Berlin Press, where she helps to plan the programme and ensures the quality of publications, oversees production schedules, liaises with authors, editors, copy-editors, translators, copyright holders and production staff, coordinates distribution, and promotes the visibility of the publishing house, among other responsibilities.
She also works as an independent art critic, writer and editor. She contributes regularly to publications like Frieze and Flash Art, and has written for many more including The New York Times, Artforum, Texte zur Kunst, Mousse, Art Basel, Artnet News and Art Review, among others, as well as writing essays for gallery and museum catalogues.
With significant experience of working for cultural institutions, from 2019–22 she was the Curatorial Editor at Gropius Bau, writing exhibition texts and making books with Yayoi Kusama, Otobong Nkanga, Lee Mingwei, Thea Djordjadze, Dayanita Singh, and more, as well as editing their Online Journal. She was Chief Editor of Side Magazine for Bergen Assembly 2022. Prior to this, for the KW Institute for Contemporary Art, she was Managing Editor of three books, co-published by Hatje Cantz: Leonilson, BLESS and Poetics of Encryption.
From 2016–21, she was Project Editor of Phaidon’s ‘Vitamin’ series and Content Editor of Great Women Artists. From 2011–16, she was a Curator & Artist Liaison at Blain|Southern, making exhibitions and books with Wim Wenders, Lawrence Weiner, Francesco Clemente, and Yinka Shonibare MBE, among others.
As a teacher, she has delivered seminars and created courses on art writing and editing for Salzburg International Summer Academy of Fine Art and Berlin Art Institute. She has a first-class honours Bachelor’s degree in ‘English Literature & Art History’, and a Master’s degree in ‘Curating the Art Museum’ from The Courtauld Institute of Art, as part of which she worked in the Research department at Tate writing about works in the collection facing obsolescence. She is originally from London, and has lived in Berlin since 2015.
Selected Publications
Books / Edited Volumes
- Side Magazine: Yasmine and the Seven Faces of the Heptahedron, co-ed. with Yasmine d’O (Berlin: Bergen Assembly and Wirklichkeit Books, 2022).
- Yayoi Kusama: A Retrospective (Berlin: Gropius Bau, 2021).
- Vitamin D3: Today’s Best in Contemporary Drawing, co-ed. with Rebecca Morrill (London: Phaidon, 2021).
- Otobong Nkanga: There’s No Such Thing As Solid Ground, co-ed. with Clara Meister(Berlin: Gropius Bau, 2020).
- Vitamin T: Threads & Textiles in Contemporary Art, co-ed. with Rebecca Morrill (London: Phaidon, 2019).
Articles
- ‘Karolina Jabłońska Plays Hide and Seek’, Frieze, 14 February 2024.
- Unveiling Art History’s Back Stages’, Frieze, 22 November 2023.
- ‘Redressing the Canon’, Frieze Week London (October 2023), pp. 24–26.
- ‘Isa Genzken, “75/75”, Neue Nationalgalerie, Berlin’, Flash Art, #344, vol. 56 (Fall 2023), pp. 46–7.
- ‘Jesse Darling: Searching for Salvation’, Art Review, 11 May 2022.
Publications
Books / Edited Volumes
- Side Magazine: Yasmine and the Seven Faces of the Heptahedron, co-ed. with Yasmine d’O (Berlin: Bergen Assembly and Wirklichkeit Books, 2022).
- Yayoi Kusama: A Retrospective (Berlin: Gropius Bau, 2021).
- Vitamin D3: Today’s Best in Contemporary Drawing, co-ed. with Rebecca Morrill (London: Phaidon, 2021).
- Otobong Nkanga: There’s No Such Thing As Solid Ground, co-ed. with Clara Meister(Berlin: Gropius Bau, 2020).
- Vitamin T: Threads & Textiles in Contemporary Art, co-ed. with Rebecca Morrill (London: Phaidon, 2019).
- Vitamin C: Clay + Ceramic in Contemporary Art, co-ed. with Rebecca Morrill (London: Phaidon, 2017).
- Francesco Clemente: Emblems of Transformation (London: Blain|Southern, 2015)
- Rachel Howard, co-ed. with Zoe Karafylakis Sperling (London: Blain|Southern, 2012).
Articles
- ‘Karolina Jabłońska Plays Hide and Seek’, Frieze, 14 February 2024.
- Unveiling Art History’s Back Stages’, Frieze, 22 November 2023.
- ‘Redressing the Canon’, Frieze Week London (October 2023), pp. 24–26.
- ‘Isa Genzken, “75/75”, Neue Nationalgalerie, Berlin’, Flash Art, #344, vol. 56 (Fall 2023), pp. 46–7.
- ‘Jesse Darling: Searching for Salvation’, Art Review, 11 May 2022.
- ‘Zoe Leonard, Capitain Petzel’, Artforum (April 2022).
- ‘Grace Weaver, Soy Capitán’, Artforum (July 2021).
- ‘Looking Up at the Stars: Faith Ringgold’, Elephant Magazine, #42, Spring 2020.
- ‘The Texture of Susanne Paesler’s Paintings’, Mousse, 25 March 2020.
- ‘I’m obviously in pursuit of my feminine self: Artist Anish Kapoor Explains His New Menstruation-Inspired Paintings’, Artnew News, 17 May 2019.
- ‘Karla Black: The Sculptures that Dare to Mean Nothing at All’, Apollo, 24 March 2018.
- ‘All Fired Up: Female Artists from Around the World are Leading a Renaissance in Ceramic Art’, Harper’s Bazaar, Art Issue (November 2017), p. 18.
- ‘Christine Sun Kim: Rustle Tussle’, Art Monthly, #393 (February 2016), pp. 27–28.
- ‘Wim Wenders: Writing with Light’, Vogue China (September 2015), pp. 464-67.
- ‘Paul Chan: I Think of it This Way’, Elephant Magazine, #21 (Winter 2014–15), pp. 116–23.
- ‘Franz West: Where is My Eight?’, Flash Art, 21 October 2014.
- ‘Redressing the Balance: Women in the Art World’, The White Review, July 2013.