Book Section
Rights: This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Part of Possibilities of Lyric Containing:
A ‘Miscellaneous Enterprise’
The Shape of Desire
Openness and Intensity
‘Lust in Action’
Declensions of ‘Now’
Extension
Body
Radure / Clearings / Antonella Anedda Angioy
Title
Extension
Subtitle
Reaching the Beloved in Cavalcanti, Dante, and Petrarch
Author(s)
Manuele Gragnolati
Francesca Southerden
Identifier
https://doi.org/10.37050/ci-18_05
Is Part Of
Possibilities of Lyric
Place
Berlin
Publisher
ICI Berlin Press
Date
17 November 2020
Rights
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
http://creativecommons.org/licenses/by-sa/4.0/
Language
en-GB
page start
111
page end
133
Source
Manuele Gragnolati and Francesca Southerden, Possibilities of Lyric: Reading Petrarch in Dialogue. With an Epilogue by Antonella Anedda Angioy, Cultural Inquiry, 18 (Berlin: ICI Berlin Press, 2020), pp. 111–33

References

  • Petrarch, Francesco, Canzoniere, ed. by Marco Santagata, rev. ed. (Milan: Mondadori, 2010)
  • Petrarch, Francesco, Trionfi, Rime estravaganti, Codice degli abbozzi, ed. by Vinicio Pacca and Laura Paolino (Milan: Mondadori, 1996)
  • Cavalcanti, Guido, Rime. Con le rime di Iacopo Cavalcanti, ed. by Domenico De Robertis (Turin: Einaudi, 1986)
  • Alighieri, Dante, Rime, ed. by Domenico de Robertis (Tavarnuzze [Florence]: SISMEL · Edizioni del Galluzzo, 2005)
  • Alighieri, Dante, La Commedia secondo l’antica vulgata, ed. by Giorgio Petrocchi, 4 vols (Milan: Mondadori, 1966–67)
  • Lombardi, Elena, The Wings of the Doves: Love and Desire in Dante and Medieval Culture (Montréal: McGill-Queen’s University Press, 2012)
  • Picone, Michelangelo, ‘Addii e assenza amorosa’, in Percorsi della lirica duecentesca. Dai Siciliani alla ‘Vita Nova’ (Florence: Cadmo, 2003), pp. 125–43
  • Zanni, Raffaella, ‘Dalla lontananza all’esilio nella lirica italiana del XIII secolo’, Arzanà, 16–17 (2013), pp. 325–63 <https://doi.org/10.4000/arzana.230>
  • Berisso, Marco, ed., Poesie dello Stilnovo (Milan: Rizzoli, 2006)
  • Calvino, Italo Lezioni Americane. Sei proposte per il prossimo millennio (Milan: Mondadori, 1993)
  • Lombardi, Elena, Imagining the Woman Reader in the Age of Dante (Oxford: Oxford University Press, 2018) <https://doi.org/10.1093/oso/9780198818960.001.0001>
  • Sapegno, Natalino, Disegno storico della letteratura italiana, 2nd edn (Florence: La Nuova Italia, 1973)
  • Giunta, Claudio, ‘Guido Cavalcanti, “Perch’i’ no spero di tornar giammai”’, in Codici. Saggi sulla poesia del Medioevo (Bologna: il Mulino, 2005), pp. 45–61
  • Cavalcanti, Guido, Rime, ed. by Roberto Rea and Giorgio Inglese (Rome: Carocci, 2011)
  • Agamben, Giorgio, Stanzas: Word and Phantasm in Western Culture, trans. by Ronald L. Martinez (Minneapolis: University of Minnesota Press, 1992)
  • Anichini, Federica, Voices of the Body: Liminal Grammar in Guido Cavalcanti’s Rime / Voci del corpo: grammatica liminale nelle Rime di Guido Cavalcanti (Munich: Meidenbauer, 2009)
  • Giusti, Francesco, Il desiderio della lirica. Poesia, creazione, conoscenza (Rome: Carocci, 2017)
  • Marti, Mario, Storia del Dolce Stilnovo (Lecce: Milella, 1973)
  • Zanni, Raffaella, ‘Prendre congé de sa propre poésie: Perch’i’ no spero di tornar giammai de Guido Cavalcanti’, in Les Deux Guidi: Guinizzelli et Cavalcanti. Mourir d’aimer et autres ruptures, ed. by Marina Gagliano, Philippe Guérin, and Raffaella Zanni (Paris: Presses Sorbonne Nouvelle, 2016), pp. 141–56
  • Alighieri, Dante, Rime giovanili e della ‘Vita Nuova’, ed. by Teodolinda Barolini, with notes by Manuele Gragnolati (Milan: Rizzoli, 2009)
  • Gilson, Simon, Medieval Optics and Theories of Light in the Works of Dante (New York: Edwin Mellen Press, 2000)
  • Picone, Michelangelo, ‘Esilio e peregrinatio: Dalla Vita Nova alla “Canzone montanina”’, Italianistica: Rivista di letteratura italiana, 36.3 (Sept–Dec 2007), pp. 1–14
  • Giusti, Francesco, ‘Rispondere solo a Beatrice. “Tanto gentile e tanto onesta pare” e il rischio della ripetizione lirica’, Revue des études dantesques, 2 (2018), pp. 87–109
  • Barolini, Teodolinda, ‘Dante and the Lyric Past’, in Dante and the Origins of Italian Literary Culture (New York: Fordham University Press), pp. 23–46 <https://doi.org/10.5422/fordham/9780823227037.003.0002>
  • Akbari, Suzanne Conklin, Seeing Through the Veil: Optical Theory and Medieval Allegory (Toronto: Toronto University Press, 2004)
  • Lombardi, Elena, ‘Il pensiero linguistico nella Vita nova’, in Vita nova. Fiore. Epistola xiii, ed. by Manuele Gragnolati and others (Tavarnuzze [Florence]: SISMEL · Edizioni del Galluzzo, 2018), pp. 115–34
  • Petrarch, Francesco, Canzoniere. Rerum vulgarium fragmenta, ed. by Rosanna Bettarini, 2 vols (Turin: Einaudi, 2005)
  • Olson, Paul, ‘Two Sonnets of Heavenly Vision’, Italica, 35 (1958), pp. 156–61 <https://doi.org/10.2307/477647>
  • Lombardi, Elena, ‘“I Desire Therefore I Am”: Petrarch’s Canzoniere between the Medieval and the Modern Notion of Desire’, in Early Modern Medievalisms: The Interplay between Scholarly Reflection and Artistic Production, ed. by Alicia C. Montoya, Wim van Anrooij, and Sophie van Romburgh (Leiden: Brill, 2010), pp. 19–41 <https://doi.org/10.1163/ej.9789004187665.i-472.14>
  • Hainsworth, Peter, Petrarch the Poet: An Introduction to ‘Rerum vulgarium fragmenta’ (New York: Routledge, 2014)
  • Vickers, Nancy, ‘Re-membering Dante: Petrarch’s “Chiare, fresche et dolci acque”’, MLN, 96.1, Italian Issue (January 1981), pp. 1–11 <https://doi.org/10.2307/2906426>
  • Virgil, Eclogues, Georgics, Aeneid Books 1– 6, trans. by H. R. Fairclough, revised by G. P. Goold (Cambridge, MA: Harvard University Press, 1916) <https://doi.org/10.4159/DLCL.virgil-eclogues.1916>
  • Barthes, Roland, ‘Texte supplément to Le plaisir du texte’, Art Press, 4 (1973)
  • Halberstam, Judith, The Queer Art of Failure (Durham, NC: Duke University Press, 2011) <https://doi.org/10.1215/9780822394358>
  • Gragnolati, Manuele, and Christoph F. E. Holzhey, eds, De/Constituing Wholes: Towards Partiality Without Parts (Vienna: Turia + Kant, 2017) <https://doi.org/10.37050/ci-11>

Cite as: Manuele Gragnolati and Francesca Southerden, ‘Extension: Reaching the Beloved in Cavalcanti, Dante, and Petrarch’, in Manuele Gragnolati and Francesca Southerden, Possibilities of Lyric: Reading Petrarch in Dialogue, Cultural Inquiry, 18 (Berlin: ICI Berlin Press, 2020), pp. 111-33 <https://doi.org/10.37050/ci-18_05>