Book Section
The conversation focuses on the role of extreme weather conditions and the vulnerability to weathering in Vajiko Chachkhiani’s work, especially in the piece Living Dog Among Dead Lions, which was presented at the 57th Venice Biennale in 2017.
Keywords: Vajiko Chachkhiani; Artificial Rain; Destruction; Weather; Weathering; Rite (Dog Days); Living Dog Among Dead Lions; Heavy Metal Honey
Rights: © by the authors. This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Part of Weathering Containing:
Preface / Arnd Wedemeyer, Christoph F. E. Holzhey
Weathering Ambivalences / Christoph F. E. Holzhey
Radiating Exposures / Alison Sperling
Weathering the Afterlife / Nicolò Crisafi, Manuele Gragnolati
Scaling from Weather to Climate / Daniel Liu
Enduring Ornament / Amelia Groom, M. Ty
The Weathering of the Trace / Damiano Sacco
Glaze / Umut Yıldırım
Weathering Weather / Yolanda Ariadne Collins
‘Locked out in nature’ / Anja Sunhyun Michaelsen
On Bad Weather / Facundo Vega
Representing the World, Weathering its End / Marlon Miguel
Enduring Rain / Claudia Peppel
Life Never Stops Being Violent
Confined Weathers / Delfina Cabrera
Title
Life Never Stops Being Violent
Subtitle
A Conversation
Author(s)
Vajiko Chachkhiani
Claudia Peppel
Identifier
https://doi.org/10.37050/ci-17_14
Description
The conversation focuses on the role of extreme weather conditions and the vulnerability to weathering in Vajiko Chachkhiani’s work, especially in the piece Living Dog Among Dead Lions, which was presented at the 57th Venice Biennale in 2017.
Is Part Of
Weathering
Place
Berlin
Publisher
ICI Berlin Press
Date
2020
Subject
Vajiko Chachkhiani
Artificial Rain
Destruction
Weather
Weathering
Rite (Dog Days)
Living Dog Among Dead Lions
Heavy Metal Honey
Rights
© by the authors
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
http://creativecommons.org/licenses/by-sa/4.0/
Language
en-GB
page start
289
page end
294
Source
Weathering: Ecologies of Exposure, ed. by Christoph F. E. Holzhey and Arnd Wedemeyer, Cultural Inquiry, 17 (Berlin: ICI Berlin Press, 2020), pp. 289–94

References

  • Burnham, Jack, ‘Hans Haacke — Wind and Water Sculpture’, in Art in the Land: A Critical Anthology of Environmental Art, ed. by Alan Sonfist (New York: Dutton, 1983), pp. 105–25
  • Kleine, Susanne, ‘Interior and Exterior Spaces’, in Vajiko Chachkhiani: Heavy Metal Honey, ed. by Kunst- und Ausstellungshalle der Bundesrepublik Deutschland (Bonn: Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, 2018), pp. 33–43
  • Mostafavi, Mohsen, and David Leatherbarrow, On Weathering: The Life of Buildings in Time (Cambridge, MA: MIT Press, 1993)

Cite as: Vajiko Chachkhiani and Claudia Peppel, ‘Life Never Stops Being Violent: A Conversation’, in Weathering: Ecologies of Exposure, ed. by Christoph F. E. Holzhey and Arnd Wedemeyer, Cultural Inquiry, 17 (Berlin: ICI Berlin Press, 2020), pp. 289-94 <https://doi.org/10.37050/ci-17_14>