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I am an Arara (directed by Mariana Lacerda and Rivane Neuenschwander, Brazil, 2023, 28′). A forest runs through the protests in São Paulo during the election year of 2022, a political moment in Brazil, when what was at stake was the end of democracy and the continuity of a government whose main agenda was destruction of nature and its territories, of social conquests, of indigenous peoples and quilombolas, of culture and art.

The screening is followed by a discussion with Mariana Lacerda and Peter Pál Pelbart.

Part of the symposium Shifting Natures

Organized by Marlon Miguel and Elena Vogman

At the venue: Registration required

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Model organisms are life forms used to test biological theories of various kinds in laboratory settings. Research with model organisms muddies the line between models as material objects and models as abstract entities. Model organisms are not fully constructed, since they are evolved beings, but the longer they reside in a laboratory the less they resemble their kin in the wild.

Organized by Maria Dębińska, Julia Sánchez-Dorado, Ben Woodard

At the venue: Registration required

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This talk considers two recent and novel uses of simpler model organisms (such as zebrafish, water fleas, and nematodes) in contemporary life science research: as an indicator species in predictive toxicology and as a substitute for rodents and other mammals in translational biomedical research associated with new efforts to foster new approach methodologies (NAMs).

Part of the symposium Model Organisms

At the venue: Registration required

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This talk examines the historical use of model organisms in symbiosis research, focusing particularly on bipartite interactions like the plant root-rhizobium relationship and algae-fungi symbiosis in lichens. The latter has been pivotal in shaping diverse images of (i) societal structures and (ii) human individuality.

Part of the symposium Model Organisms

At the venue: Registration required

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This talk examines how former Black Panther Party Communications Secretary Kathleen Neal Cleaver has used photography to make ’home‘ in the world. Raiford considers the everyday image making practices that a public figure committed to improving the conditions of Black lives globally has engaged to imagine, identify, create, fabulate, inhabit, leave and, sometimes, destroy ‘home‘.

Part of the ICI Lecture Series Models 2023-24

An ICI Event in cooperation with the American Academy in Berlin

Public Livestream available
At the venue: Registration will open on 13 Mar 2024

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