From the late 1960s onwards, Brazilian artist Lygia Clark (1920–1988) developed a series of unstable and manipulable sculptures that she named bichos — ‘beast’, ‘animal’, or ‘critter’. These unconventional objects constituted a turning point in Clark’s artistic trajectory as she progressively moved away from the Neo-Concrete Movement, shifting her focus towards the frontier between artistic and clinical practice.
Organized by Delfina Cabrera, Marlon Miguel, Elena Vogman
An ICI Berlin Event in cooperation with the research project ‘Madness, Media, Milieus. Reconfiguring the Humanities in Postwar Europe’ (Volkswagen Stiftung/Bauhaus-Universität Weimar)
In-person: Registration will open on 30 May 2023