
Medieval Studies / Italian and Comparative Literature
Oxford University (Somerville College)
Metamorphosing Dante: Appropriations, Manipulations and Rewritings in the Twentieth- and Twenty-first Centuries, eds Manuele Gragnolati, Fabio Camilletti and Fabian Lampart (Berlin and Vienna: Turia & Kant, Forthcoming 2010)
Dante's Plurilingualism: Authority, Knowledge, Subjectivity, eds Sara Fortuna, Manuele Gragnolati and Jürgen Trabant (Oxford: Legenda, Forthcoming 2010)
Aspects of the Perfomative in Medieval Culture, eds Manuele Gragnolati and Almut Suerbaum (Berlin-New York: de Gruyter, 2010)
The Power of Disturbance: Elsa Morante's 'Aracoeli', eds Manuele Gragnolati and Sara Fortuna (Oxford: Legenda, 2009)
Dante, Rime giovanili e della 'Vita Nuova', ed. by Teodolinda Barolini; with notes by Manuele Gragnolati (Milan: Rizzoli, 2009)
Il corpo glorioso. Teologie e rappresentazioni della resurrezione, eds Claudio Bernardi, Carla Bino and Manuele Gragnolati (Pisa: Giardini, 2006)
Experincing the Afterlife: Soul and Body in Dante and Medieval Culture (Notre Dame: University of Notre Dame Press, 2005)
Il corpo passionato, eds Carla Bino and Manuele Gragnolati. Special Issue of Comunicazioni Sociali, 25 n.s., 2 (2003)
'Re-writing Dante after Freud and the Shoah: Giorgio Pressburger’s Nel regno oscuro', in Metamorphosing Dante: Appropriations, Manipulations and Rewritings in the Twentieth and Twenty-first Centuries, eds Manuele Gragnolati, Fabio Camilletti and Fabian Lampart (Berlin and Vienna: Turia und Kant, Forthcoming 2010)
'(In)Corporeality, Language, Performance from the Vita Nuova to the Commedia'. Forthcoming in Dante’s Plurilingualism: Authority, Knowledge, Subjectivity, eds Sara Fortuna, Manuele Gragnolati and Jürgen Trabant (Oxford: Legenda, 2010), pp 211-22
'Riscrivere Dante in un’altra lingua. Conversazione con Giorgio Pressburger su Nel regno oscuro'. Forthcoming in Dante’s Plurilingualism: Authority, Knowledge, Subjectivity, eds Sara Fortuna, Manuele Gragnolati and Jürgen Trabant (Oxford: Legenda, 2010), pp. 249-66; with Emma Bond and Laura Lepschy
'Dante after Wittgenstein: "Aspetto" Language, and Subjectivity from Convivio to Paradiso'. Forthcoming in Dante’s Plurilingualism: Authority, Knowledge, Subjectivity, eds Sara Fortuna, Manuele Gragnolati and Jürgen Trabant (Oxford: Legenda, 2010), pp. 223-48; with Sara Fortuna
'Trasformazioni e assenze: la performance della Vita nova e le figure di Dante e Cavalcanti'. Forthcoming in L’Alighieri 35 (2010), pp 5-23. Also in Dante the Lyrical and Ethical Poet. Dante etico e lirico, eds Zygmunt Baranski and Martin McLaughlin (Oxford: Legenda, 2010), pp. 74-91
'Authorship and Performance in Dante’s Vita nova', in Aspects of the Perfomative in Medieval Culture, eds Manuele Gragnolati and Almut Suerbaum (Berlin-New York: de Gruyter, 2010), pp. 123-40
'Between Affection and Discipline: Exploring Linguistic Tensions from Dante to Aracoeli', in The Power of Disturbance: Elsa Morante's 'Aracoeli', eds Manuele Gragnolati and Sara Fortuna (Oxford: Legenda, 2009), pp. 8-19; with Sara Fortuna.
'Allattamento e origine del linguaggio tra la Commedia dantesca e Aracoeli di Elsa Morante', in Parole di donne, ed. Francesca Maria Dovetto (Milano: Aracne, 2009), pp. 271-303; with Sara Fortuna.'"Attaccando al suo capezzolo le mie labbra ingorde": corpo, linguaggio e soggettività da Dante ad Aracoeli di Elsa Morante', Nuova corrente, 55 (2008), pp. 85-123; with Sara Fortuna.
'Nostalgia in Heaven: Embraces, Affection and Identity in Dante’s Comedy', in Dante and the Human Body, eds John Barnes and Jennifer Petrie (Dublin: Four Courts Press, 2007), pp. 91-111
'Gluttony and the Antrhopology of Pain in Dante's Inferno and Purgatorio', in History in the Comic Mode: Medieval Communities and the Matter of Person, eds Rachel Fulton and Bruce Holsinger (New York: Columbia University Press, 2007), pp. 238-50
'La Scrittura rossa, il Purgatorio e la forza del dolore: per un dialogo tra Bonvesin da la Riva e Dante', in Dialoghi con Dante. Riscritture e ricodificazioni della Commedia, eds Erminia Ardissino and Sabrina Stroppa (Rome: Edizioni di Storia e Letteratura, 2007), pp. 17-38
'La scrittura, l’amore e la morte. Per una lettura leopardiana dei Dialoghi con Leucò di Pavese', Testo, 52 (2006), pp. 59-75
'Dolore come gioia. Trasformarsi nel Purgatorio di Dante', Psiche, 4 (2003), pp. 111-26; with Christoph Holzhey.
'From Plurality to (Near) Unicity of Forms: Embryology in Purgatorio 25', in Dante for the New Millennium, eds Teodolinda Barolini and Wayne Storey (New York: Fordham University Press, 2003), pp. 192-210
'From Decay to Splendor: Body and Pain in Bonvesin da la Riva’s Book of the Three Scriptures', in Last Things: Death and Apocalypse in the Middle Ages, eds Caroline Walker Bynum and Paul Freedman (Philadelphia: University of Pennsylvania Press, 1999), pp. 83-97
'Marinetti e la lingua francese alle soglie del Futurismo: l'eclettismo ambiguo de La ville charnelle', Revue des Études Italiennes, t. XLV, 1-2 (1999), pp. 115-132
'Love, Lust and Avarice: Leodilla between Dante and Ovid', in Fortune and Romance: Boiardo in America, eds Jo Ann Cavallo and Charles Ross (Tempe, AZ: Medieval and Renaissance Texts and Studies, 1998), pp. 151-174.
'Giovanni Pascoli: Varianti «conviviali» (1895-1905)', Revue des Études Italiennes, t. XLI, 1-4 (1995), pp. 133-156.